About

It all started when…

In the late 70s, my father trained me as a sign writer and silk screen printer in his studio in Vauxhall, London. At the same time, I was also studying pattern cutting at St Martin's college.

Dad and I worked together for many years and often discussed that times would change to a digital form, being computers.

As a natural progression in the late 80s, I put my brushes & squeegees to rest and, using my graphical skills, transitioned into computer graphics. Not long after my introduction to the world of floppy disks & reel to reel tapes, I joined a software company called Dalim in London, which was at the leading edge of computer graphics to develop software & train users. At around the same time, Digital photo retouching was also developing into a mighty specialised industry, so the challenge of a brief to create something that was only a vision was revolutionary, and I was on board.

In 1992 I moved to New York City to further my career in retouching and in 1997 Cursor Control was established. Still, to this day, we create the desired vision by implementing a simple approach and successfully executing the results through clear communication, care and a wealth of knowledge.

Today I am based in Australia between Melbourne and Perth, and like everyone work across various time zones.

Projects with:

42 Below, Adidas, American Ballet Theatre, Asics, Balenciaga, Bert Stern, British Elle, Bupa, Cadbury, Calvin Klein, Chandon, Clairol,Clarins, Epson, Ford, Fuji, Garnier, GQ, Harper’s Bazaar, Herbs Ritts, Ikea, Kodak, L’Oreal, Mario Testino, Melvin Sokolsky, Nike, Norelco, NY Times, Paspaley Pearls, Penfolds, Qantas, Revlon, Saatchi & Saatchi, Saks Fifth Avenue, Schweppes, Sephora, Steven Meisel, Stoneleigh Wines, Subaru, Virgin Australia, Visa, Vogue (Australia, Italy, Japan, Spain), Volvo, Young & Rubicam